What forces from the past take possession of our bodies? How can we give them space and attention without them gaining power over us? How do we deal with our present day demons?
The Dibbuk by Salomon An-ski poses questions that the transnational KULA Compagnie, with artists from Germany, France, Italy, Russia, Israel, Iran and Afghanistan, addresses artistically. The play, which was created in what was then Galicia, tells a Hasidic-Jewish love story, initially written in Russian, with Kabbalistic components, which takes up ancient Persian mysticism and makes borders visible and blurred them. The examination of boundaries that attempt to separate people into seemingly insurmountable worlds can be found in many of KULA Compagnie's works.
DIBBUK - between (two) worlds is intended to unfold through two different performances that are performed on the same evening or stand alone. Both parts can also be presented separately in countries where it is not possible for all participants to travel or where their safety is not guaranteed.
An-ski's original is one of the most important works of Yiddish culture. It tells the story of a Jewish bride and groom whose marriage is prevented by the demon of a dead man - the dybbuk - who enters the bride and takes possession of her. The project by the transnational KULA Compagnie places this narrative in a contemporary, interreligious context.
The current escalation of the political conflict in Israel-Palestine represents an immense challenge for the participating artists of the KULA Compagnie and at the same time reinforces the motive to meet in artistic work in order to make a contribution to dialogue and understanding in a time of political tension.
The KULA Compagnie relies on the transformative power of theatre. By transcending seemingly irreconcilable global political conflicts, bridges are built through artistic creation.
Opening night on 17th and 18th of May 2024 at the Ruhrfestspiele Recklinghausen/Theater Marl
further performances
München, Halle Mucca on 16th, 17th and 18th of June 2024,
a co-production of dasvinzenz Theater / Kula Compagnie
| Max Bauer (DE) | |
| ( Chao Liu (CN) ) | |
| Hadar Dimand (IL,PT) | |
| Sara Khalili (AF) | |
| Slava Kushkov (DE) | |
| Céline Martin-Sisteron (FR) | |
| Tahera Rezaie (AF) | |
| Jonas Schlagowsky (DE) | |
| Peter Schorn (IT) | |
| Romaric Séguin (FR) | |
| Masha Shmoulian (IL) | |
| Zinedinne Smain (DZ) | |
| Robert Spitz (DE,IL) | |
| Homan Wesa (AF) | |
| and participation via video | Fariba Baqeri (AF) |
| Pasquale di Filippo (IT) | |
| Katerina Kuznetsova (YL | |
| an imaginary Yiddishland) | |
| Azar Mahdavi (AF) | |
| Andrea De Majio (IT) | |
| Soliman Saien (AF) | |
| Alexander Simon (DE) | |
| written based on a template from An-Ski and realized by | Robert Schuster (DE) |
| Dramaturgy | Yotam Gotal (IL) |
| Dramaturgiacal accompaniment | Zainab Qadiri (AF) |
| Music and sounds | Max Bauer (DE) |
| Stage | Sascha Gross (DE) |
| Lighting and technical coordination | Michael Bischoff (DE) |
| Ambassadress, Assistent Director, Subtitels, Stage Manager | Khitam Hussein (DE) |
| Assistent Director | Lena Thiele (DE) |
| Video | Simon Vorgrimmler (DE) |
| Three-dimensional animated spaces | Andrew Arnold (DE) |
| Producer | Eric Nikodym (DE) |
| Production management | Mareike Lehne (DE) |
